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Once korina wood reaches between 30 and 40 percent moisture content, it is sealed to slow down the rate of moisture removal and stabilize the wood But, much of the korina/limba i see more recently such as black limba/white limba (like on the thorns, et.al), has a completly different look to it than the wood used in the 50's by gibson The rest of the drying process then takes place inside kilns designed specifically for drying wood
The other problem with korina, according to wilson, is that the wood is highly susceptible to. I've read that these are one in the same, and that korina was a name given to limba by gibson I love their instruments so i have lots of praise for korina.
Epiphone in around year 2000 issued a reissue '58 korina natural finish version
(they also offered a solid color version, but i'm not talking about that one.) around 2023, they also reissued what appears to be the same instrument I'll assume that due to 23 years time frame that the pickups. Ive got a hamer korina jr single p90 Bought it here from fellow member willhutch in 2008
I dont have any other korina guitar and not really familiar with what korina contributes to the tone of a guitar My hamer sounds loud aggresive and dynamic with lots of high end and mid high The latest epiphone korina v should not be overlooked While it is a hefty increase in price from accepted epiphone fare
I don't think many appreciate what a hidden gem these (and the explorers) are
Expensive for an epiphone isn't crazy money. They just look so good, the. There has been speculation that the epiphone korinas have cheap wood of a different type under the veneer In my case, i have a flying v epiphone
Looking at the sides and under the pickup cavities of my v, i can say it's definitely korina but is in pieces, glued together Korina (or limba) is a great tonewood, period, and will work with all kinds of guitars It's probably just tradition that it's associated with setnecks because it was gibson that first popularized korina, and it's closer to the mahogany end of the spectrum than it is to alder or ash. White korina to me is a bit like the vintage 30 of woods, with a higher mid shift that cuts well
The black limba jr 90 growls a bit more, and cuts a little less well
Click to expand.white and black come from the same tree How can one have a sonic signature inherently different from the other when they are the same wood?
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