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Jazz, musical form, often improvisational, developed by african americans and influenced by both european harmonic structure and african rhythms For almost all of its history it has employed both creative approaches in varying degrees and endless permutations. It is often characterized by syncopated rhythms, polyphonic ensemble playing, and the use of original timbres.
Jazz music, which was developed by african americans and was influenced by both african rhythms and european harmonic structure, first appeared at the turn of the 20th century and has since undergone several distinctive phases of development. Jazz, in fact, is not—and never has been—an entirely composed, predetermined music, nor is it an entirely extemporized one Jazz, musical form, often improvisational, developed by african americans and influenced by both european harmonic structure and african rhythms.
It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by fletcher henderson and duke ellington.
Whereas most of these postwar musicians worked out their individual styles through personal explorations within the central modern tradition, the arrival of saxophonist ornette coleman and trumpeter donald cherry constituted an even more radical break from the recent past. In the early 1930s two bands made important contributions to jazz Bennie moten’s, with the recordings of “toby,” “lafayette,” and “prince of wails,” and the casa loma orchestra, with “casa loma stomp” and “san sue strut.” Major swing soloists also emerged in the 1930s—most notably tenor saxophonists coleman hawkins, lester young, and ben webster
Pianists art tatum and teddy wilson Jazz dance, any dance to jazz accompaniments, composed of a profusion of forms Jazz dance paralleled the birth and spread of jazz itself from roots in black american society and was popularized in ballrooms by the big bands of the swing era (1930s and ’40s).
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