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I also hate the 2352 or whatever different models gibson sells. 2012 satin reissue '61 sg 2013 sg original w/maestro vibrola kirk douglass signature sg custom w/maestro les paul tribute sg w/sideways vibrola they all sound. From all the research i've gathered, i'm understanding that gibson started stamping the.
To my guess charlie brown, the bevel police officer of the board, would say that the sg 61 shape is the very one for sgs I have no regrets, whatsoever, making any of those purchases Two of my sgs have different body and neck contours, two have the 61 shape, and the differences are truly significant
Nashville), and platings (nickel vs.
The longer the notes last, the bigger will be the differences An sg's tone decays faster and will sound thinner compared to that of les paul guitars These provide more sustain and an overall rounder tone than sgs. I believe the sg '61 reissue's strength lies in its simplicity, a slim mahogany body and neck plus a rosewood fretboard powered by gibson's '57 classic pickups create a clear and balanced tone with solid sustain.
Does anyone have one of these guitars Walnut tone wood, ebony fretboard grover tuners I see these for sale often for around 5 or 600 dollars Granted they are not the prettiest looking sg's in history but the tone is really sweet
It looks like gibson was in a big hurry and quality control was.
The sg neck shape has been evolving since its introduction in 61 I believe that the sg neck has possibly changed more than any other gibson There may always be preferred year neck shapes, like the 61 slim taper, that dives little but provides the easiest access all the way to fret 22. 2013 was magical, for gibson sg's
I bought 3, that year, and my first one, in 40 years, in december of 2012.which was the '61 sg reissue satin finish
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